Summer Arts Series 2022

Listening to the World’s Edge

A Panel Discussion about Climate, Adaptation, and the Arts

Occurred on Tuesday, July 26, 2022 

As we seek to engage with our climate-changed world in ways that are ecologically imaginative, the arts nourish us in so many ways — by challenging, informing, engaging, and eliciting the kind of deep emotional responses that can guide us toward resilience. Rather than being antithetical to one another, the languages of artists and scientists can offer a beautiful harmony of mutual concern. 

In this panel, we welcomed the contributions of four individuals who were deeply engaged in climate justice work — through music, visual art, climate research, and education. Thanks to those who joined us for what promised to be a rich conversation about adaptation, artistic process, and the beauty of our climate-changed world.


Meet our Panel

Jill Pelto

Jill Pelto is an artist and scientist whose work focuses on communicating human-environment connections. She incorporates scientific data directly into her paintings — from local trends to global changes. Jill's goal is to create artwork that engages broad audiences with climate change data in ways that are emotionally relevant. Jill Pelto grew up in Worcester, MA. She attended the University of Maine from 2011-2018 during which time she completed two B.A. degrees in Studio Art and Earth Science, and a Masters of Science focused on studying the sensitivity of the Antarctic Ice Sheet to changes in our Earth-Climate system. Jill lived near Portland, Maine from 2019 until this spring of 2022. She moved to Washington State in May. Her love of nature drives her to creatively communicate information about environmental issues with a broad audience. She’s passionate about outreach and collaboration, and works with K-12 students around the country in creating their own data-art.

Esperanza Stancioff

Esperanza Stancioff, Extension Professor Emerita with UMaine Extension and ME Sea Grant, focuses on climate change adaptation research, education, and outreach in coastal communities. This includes a number of adaptation projects focused on understanding and reducing climate-related impacts. She assists with the development and implementation of statewide and sub-regional networks including the Climate Change Adaptation Providers (CCAP) Network, Collaborating Toward Climate Solutions (CTCS), the Maine Climate Council Community Resilience Working Group; and the citizen science program, Signs of the Seasons (SOS): A New England Phenology Program.

Sophie Davis

Sophie grew up in Maine where she studied violin with Janet Ciano and Gilda Joffe. She received degrees in violin performance and environmental studies from Oberlin College and Conservatory. Playing and sharing music are integral to Sophie’s creative and professional practice. She has participated in the Perlman Chamber Music Workshop, Kneisel Hall Chamber Music Program, as a soloist with Oberlin’s Contemporary Music Ensemble, and with her sister on NPR’s From the Top. She has performed at the Kennedy Center, Chicago’s Symphony Hall, the Monte Music Festival in India, and with the Jordan National Orchestra (JOrchestra) in Amman, Jordan. In 2017, Sophie was awarded a Fulbright Research Grant to spend nine months in the South Pacific island nation of Samoa where she explored the ways in which the arts can raise awareness of climate change. In addition to pursuing research, Sophie taught and performed with the National Orchestra of Samoa. Sophie divides her time between musical performance and pedagogy. She serves as violin faculty and chamber music coordinator at Bay Chamber Music School in Rockport and is the co-founder of Halcyon - an ensemble dedicated to using music and art to cultivate environmental stewardship. Sophie performs throughout New England with Halcyon, as a duo with her sister and plays frequently with the Portland-based chamber orchestra, Palaver Strings.

Josie Davis

Josie Davis received her undergraduate degrees in violin and sociology at Oberlin College and Conservatory where she was a student of David Bowlin, and her Ed.M from Harvard University. She has performed in a wide range of venues from Carnegie Hall to the Monte Music Festival in India and has appeared with her sister on NPR’s From the Top. She actively explores ways to share classical music in new contexts and has performed chamber music with Emanuel Ax in a taco shop, played solo Bach for Chris Thile, and shared music on a mountaintop in India. Her teaching has brought her to Panama, India and Community MusicWorks in Rhode Island where she completed a two-year Fellowship. In past summers, she has studied at the Juilliard String Quartet Seminar, Bowdoin International Music Festival and Kneisel Hall Chamber Music Festival. She is committed to creating more chamber music opportunities for young people and is the founder and director of summer workshops for young people in Maine and Connecticut. As a violinist, educator and arts administrator, Josie is interested in how the arts can be used as a form of cultural empowerment to build bridges and strengthen communities. In addition to her work with Halcyon, Josie is a member of Palaver Strings, and works at Bay Chamber Concerts and Music School.